Painters

What Lies Beneath Each Layer

34350280_182591579121194_4340423842586427392_n.jpg

Abstract art is like a startling force that can guarantee a level of detachment for the viewer’s mind. Surely as humans we try to decipher and understand it. But when in the face of abstraction it’s best to let our conscious mind rest and let the work speak for itself as the artist intended. Matthew Curry, a Grammy-nominated artist based in Washington D.C. allows the viewer a certain level of detachment that still pulls you into his work through enigmatic features resembling emotions.

 

Curry’s work ranges from paintings to music packaging, logo design, print design, broadcast design, illustration, animation, audio and interactive media. “Very early on, I knew I wanted to be an artist in some capacity. I was always drawing, and it took more and more precedent over everything else in my life. Early on, my inclinations were more toward the graphic arts and that’s ultimately what I ended up studying in art school,” he says.

 

Focusing on his paintings, he has developed a cohesive, yet complex style, which he describes as “very layered, sculptural and intense.” Given the abstraction of his work, that’s a pretty damn good way of describing what the eye sees as indefinable. Every drip, line, splatter, stroke, pop of color, gesture mark, and texture-built layer serves the purpose of bringing his pieces to life. With each layer, there is an added dramatic complexity that grows from the foundation within the abstraction. Curry’s use of color, especially black and white, leads the viewer to contemplate contrast of what’s being highlighted or withdrawn. Some pieces include showing us something beneath the surface as an element of surprise.

 

29400446_393952637735952_6241698503228129280_n.jpg

He explains, “In the early phases of my career, my work was more illustrative and graphic and over time my mark-making and compositions have become more and more abstract and streamlined. [I’m currently inspired by] all my friends, my community, architecture and technology.”

 Though his work can be largely abstract, there is a movement to it that brings out the emotion or intention behind it. These emotive characteristics are a product of “action painting.” A technique developed around 1940, which focuses on spontaneity while painting when using dripping, splashing, and gestural strokes, as if stemming from the subconscious.1 Renowned action painters include Jackson Pollock, Willem de Kooning, Joan Mitchell, and Franz Kline.

There is almost something poetic the method in Curry’s work, as it conveys so much emotion through rich visuals coming from the artist’s mind. The powerful touch of details creates an overall mood that cannot be ignored.

Curry’s paintings create a world in which the viewers are the guests and the mysterious feel within the artwork is the honorable host. As you look closely, you might find eyes staring at you from the shadows, undefined creature-like features, and a graceful movement from one element to the next. There is a transformative interaction within the abstraction to evoke emotions, and these details whirl together to create the unique feel of each piece.

52437081_2235604746501701_3046889772181073945_n(1).jpg

Perhaps that’s just the thing one shouldn’t try to define, that these figures come from within. As Jackson Pollock nailed the purpose behind abstraction on the head by saying: “When you’re painting out of your unconscious, figures are bound to emerge… painting is a state of being… Painting is self-discovery. Every good artist paints what he is.”2

 

What makes Curry’s style unique is its ability to welcome you to its world. Needless to say, it is full of surprises, which you need to accept as they are without making any assumptions.

View the gallery below and for more on the artist’s work, visit his website. All photos courtesy of Matthew Curry.

 

 Today’s poetry pairing is inspired by the contrasting light and dark elements in Matthew’s paintings:

 

 The Great Figure

 BY WILLIAM CARLOS WILLIAMS

 

Among the rain

and lights

I saw the figure 5

in gold

on a red

firetruck

moving

tense

unheeded

to gong clangs

siren howls

and wheels rumbling

through the dark city.

The Beauty of Needful Things

Figure 1. Cindy Amaya working her craft in the studio.

Figure 1. Cindy Amaya working her craft in the studio.

For Cindy Amaya, being an artist is embracing the relationship between humans and our environmental surroundings. As a recent graduate from Southern Adventist University in Collegedale, TN, Cindy is exploring her creativity by presenting the viewer a glimpse of handpicked organic surroundings with an optimistic viewpoint through her work.

“I’m constantly inspired by the world around me. [It] comes from having a childlike mindset when I'm out in nature. I begin to explore different textures and patterns that can be added to my work. I’m inspired by fun color schemes I see in nature and also by kids,” says Cindy.

In her paintings, Cindy’s use of blank space almost removes nature from its surroundings and puts us face to face with it through very detailed realism and aesthetic techniques of how organic elements compose the overall part of nature she wants us to appreciate, be it whole or abstract. The use of broad strokes intermixed with complimentary shades and lines bring forth an abstract portrayal of nature to some of her work, yet they resemble the wildness and fragility of living things through delicate lines.

Figure 2. Cindy Amaya “Green Your Work #2” (2018).

Figure 2. Cindy Amaya “Green Your Work #2” (2018).

Nature serves as an artistic element. Using these surroundings as a canvas for her current inspiration provides beauty and perception to living things most of us at times take for granted.

She explains, “Nature is good for us. A fact that is often times under-appreciated. Just looking at it and the color green, has this sort of calming effect. When we allow ourselves to me intimate and spend more time looking around, we begin to notice patterns that we didn’t know were there before.”

Appreciation of living things is not an understatement in Cindy’s technique, as nature gives life to the whole ecosystem, including aiding in our existence and that of animals. Through Cindy’s perception we can take a closer look in the safe space these living things provide just by their colors, shapes, and as living, breathing organisms alone. Interlacing this understanding with our surroundings only makes our experience and perception richer of why they matter.

All photos courtesy of Cindy Amaya. To view more of her work, visit her site.

A poetry pairing to Cindy’s artwork:

Turtle Came to See Me
BY MARGARITA ENGLE

The first story I ever write
is a bright crayon picture
of a dancing tree, the branches
tossed by island wind.

I draw myself standing beside the tree,
with a colorful parrot soaring above me,
and a magical turtle clasped in my hand,
and two yellow wings fluttering
on the proud shoulders of my ruffled
Cuban rumba dancer's
fancy dress.

In my California kindergarten class,
the teacher scolds me: REAL TREES
DON'T LOOK LIKE THAT.

It's the moment
when I first
begin to learn
that teachers
can be wrong.

They have never seen
the dancing plants
of Cuba.